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Recognizing the Future in the Room @Futures4Europe
Invitation to join the Emotional Foresight Workshop & Early Insights
What happens when 10 people encounter the same unfinished future, imagine what comes next, and then meet one another's interpretations?
At Futures4Europe 2026 in Rome, Recognizing the Future in the Room invites conference attendees to explore this question alongside the participants in an ongoing Emotional Foresight experiment. The workshop will bring short films based on individual continuations into a shared space for viewing, reflection and discussion.
You do not need to have taken part in the earlier phase to contribute your perspective.
This article shares the thinking behind the experiment and its early observations. The next part happens together in Rome.
Name: Recognizing the Future in the Room, Emotional Foresight through a Group-Based Adaptation of the Resonant Future Self Framework - Iuliana Adina Apostol
Date: 30.09.2026
Time: 15:30
The same film provides a shared starting point. It does not guarantee a shared future.
What this experiment examines
The experiment asks what changes when a person moves from watching a future to imagining how it continues, and then encounters someone else's version. It connects three things: emotional response, interpretation and perceived possibility for action.
This is the specific role of Emotional Foresight here. Participants encounter a possible future, attend to what it evokes, and explore what happens to that response as they give the future meaning. The analysis follows both their emotional ratings and their explanations of what changed. Hope, fear, uncertainty and resistance all matter; becoming more optimistic is not the criterion for success.
The pilot develops the Resonant Future Self Framework presented in Vienna in 2025 into a group format. Participants supply the interpretations and continuations that make the collective experiment possible.
Why begin with a film?
An earlier pilot at AIMEDIA 2026 in Nice used guided imagination without a seed film. Five researchers took part in individual sessions, then joined fifteen others in a workshop. The twenty researchers spent eight minutes with their eyes closed, listening to meditation music and imagining how it felt to inhabit 2032.
In the five individual accounts, familiar rooms and work routines predominated. AI appeared explicitly in only one scene. In the workshop accounts, family, homes and personal experiences became more prominent, while AI remained peripheral despite its prominence at the conference. These exploratory observations raised a design question: how can we help people imagine beyond an extension of their present?
Rome introduces an unfamiliar shared starting point. The seed film’s themes were drawn from responses to a three-minute poll circulated to all conference participants, grounding the scenario in the futures and emotions respondents described. The 90-second seed film, "Profile Source: Unresolved", depicts a world in which people receive periodically updated Future Profiles. Mara discovers that an apparently personal future image is appearing in other people's profiles too. The film ends without explaining why.
Participants are asked:
“What do you believe is happening, and what happens next?”
The film was designed to leave both the explanation and the emotional response open. The anomaly might evoke curiosity, unease, hope or several feelings at once. Participants can question the system, reinterpret what they have seen or introduce a possibility the film leaves unstated. Its imagery and sound still influence interpretation: ambiguity does not make the stimulus neutral.
Give imagination somewhere unfamiliar to begin, while leaving the meaning open.
What participants have reported so far
One participant described a shift from feeling “depressed and scared” to “optimistic and more at ease.” Another reported feeling “more empowered and hopeful.” A third explained what made a different response possible:
“Before I was hopeless and scared, now I feel hopeful because I tried to find a (literal) backdoor to make futures plural and unpredictable again.”
The backdoor matters. In this account, renewed hope is connected to an imagined opening in a system that had initially felt closed. The participant had introduced a way to act within the scenario.
This gives the experiment a concrete question to pursue: does constructing a continuation change what a person believes is possible, and how does that relate to what they feel?
A change in feeling becomes more informative when we can trace the change in meaning behind it.
The individual trajectories also differ. Some ratings move relatively little; others shift substantially. A group average cannot show all of those differences, and a stable emotional rating does not necessarily mean that nothing changed in a person's interpretation. The maps therefore retain individual responses alongside participants' words.
The Ambivalence Map: how do hope and fear move?
The map follows each participant's hope and fear ratings, both on a 0–6 scale, across the three stages. It allows us to examine changes in each emotion separately, including whether hope increases while fear remains present.
Hope can rise without fear disappearing. A single positivity score would miss that distinction.
The quadrant labels are shorthand. Low hope and low fear, labelled “emotionally distant,” cannot establish distance by themselves: someone could still feel strong curiosity or another emotion.
Posted on: 14/09/2026
